Decorative and applied arts
Decorative art (from the Latin. Decoro "decorating") - a section of art, which includes a fairly large number of industries, it is one of the most important areas of folk…

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Baroque
Baroque - (Portuguese. Baroco - freaky, bad, wrong, spoiled). The term “baroque” has many meanings in the history of art. Among them are narrower, to indicate artistic styles in the…

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Anton Refrezhier - born in Moscow
Refrege was born in Moscow in the year of the first Russian revolution. This fact would seem irrelevant to the biography of an American artist: after all, his father took…

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connoisseurs and among them

What is your power, Amulet?

Talisman “Knock on the tree” For a long time, trying to protect themselves, people endowed various objects with mystical, supernatural properties. Different charms, talismans, amulets have long had different meanings, but they all had one function – to protect and protect people.

Amulet considered the subject, which was attributed to the miraculous ability to protect the owner from disaster, illness and “evil spell.” Amulet attributed the magical property to protect or protect people and animals, especially the warrior and his horse, house and utensils, tools and weapons from evil demons and envious people. Continue reading

Eugene Delacroix – Goethe’s Faust lithographs

In the 1820s, the artist Eugene Delacroix was in the prime of his creative power. He is 30 years old, he is a recognized master, who created the paintings that put him among the best artists of France: “Dante and Virgil”, “The Massacre at Chios”, “The Execution of Marino Falyero”, “The Death of Sardanapala”.

In them, Delacroix most fully reflected the ideas of progressive romanticism that prevailed at that time in French painting, to the transmission of historical truth, expressed by a bright, emotional language, which compels the emperor to sympathize with the characters, strong, whole and passionate. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”

The essence of Kremer’s creative tasks is to appeal to the masses. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” The path of Fritz Kremer more than once led him to the brink, the transition of which required to risk his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the light of human power and does not allow falsehood and emotion. Continue reading

Aykhan Khadzhiev - originally from Turkmenistan
After graduating from school under the mentorship of the first Turkmen artist Byashim Nurali, Aykhan entered an art school, which was then opened in the capital of our republic. Under…

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Wooden sculpture of Prikamye
The discovery of this “completely unprecedented and absolutely amazing phenomenon” - the original folk art of the Kama region - belongs to N. N. Serebrennikov, an Ural art historian, collector…

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