Two portraits of the actress Strepetova
There are destinies that strike the imagination with unusualness and inner completeness — such is the life of Pelageya Antipevna Strepetova (1850–1903), difficult and bright, full of dramatic turns. At…

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Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of Kremer’s creative tasks is to appeal to the masses. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a…

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James Whistler: “I am an artist and“ born ”in Petersburg”
James Whistler, an Anglo-American artist, was born July 11, 1834 in Lowell, the industrial city of the United States. Staying in Russia largely affected the formation of his talent. Whistler…

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Cubism

Cubism – (French. Cubisme, from cube – cyb) directed in the first century of the XX century. The plastic language of kibism is based on the deflection and decomposition of the subjects on the geometry, the plastic shift of the form.

Many Russian artists passed through the Kibism, often joining his principles with the help of other modern dispatches.

The emergence of Cubism is attributed to 1907, when P. Picasso painted the picture Avignon Girls (Museum of Modern Art, New York), unusual for its acute grotesque: deformed, coarse figures are depicted here without any light and shade elements, as a combination of on the volume plane.

In 1908, the group “Batolavoir” (“Boat-raft-washing”) was formed in Paris, which included Picasso, J. Brac, Spaniard X. Gris, writers G, Apollinaire. G. Stein and others. In this group the basic principles of cubism were formed and were consistently expressed. The word “Cubists” was first used in 1908 by the French. critic L. Vossel as the mocking nickname of artists depicting the objective world in the form of combinations of regular geometric volumes (cube, ball, cylinder, cone).

Reducing to a minimum, and often trying to build their works from a combination of elementary, “primary” forms, representatives of cubism turned to constructing a three-dimensional form on a plane, dividing the real volume into geometrical bodies, shifted, intersecting each other, perceived from different points of view.

Coming into the circle of many modernist currents, cubism stood out among them for harsh asceticism of color, for simple, powerful, tangible forms, for elementary motifs (such as house, wood, utensils, etc.). This is especially characteristic of the early stage of cubism, formed under the influence of P. Cezanne’s painting. In this “Cézanne” period of cubism (1907–09), the geometrization of forms emphasizes the stability, the objectivity of the world; powerful faceted volumes as if densely displayed on the surface of the canvas, forming a semblance of relief; color, highlighting the individual facets of the object, both simultaneously enhances and crushes the volume (P. Picasso, Three Women, 1909, J. Marriage Estak, 1908).

In the next, “analytical” stage of cubism (1910-12), the subject falls apart, is broken up into small faces, which are clearly separated from each other: the subject form is spread out on the canvas (P. Picasso, A. Vollard, 1910, J. Marriage, “In honor of I. S. Bach”, 1912).

In the last, “synthetic” stage (1912–14), the decorative beginning wins, and the paintings turn into colorful plane panels (P. Picasso, “Guitar and Violin”, 1913; J. Marriage, “Woman with a Guitar”); there is interest in any kind of textural effects – labels (collages), powders, three-dimensional structures on the canvas, that is, the rejection of the image of space and volume, as it were, is compensated by relief material constructions in real space.

By 1914, Cubism began to give way to other trends, but continued to influence not only French artists, but also Italian futurists, Russian cubist-futurists (K. S. Malevich, V. E. Tatlin), German artists “Bauhaus” (L. Feininger, O. Schlemmer).

Aykhan Khadzhiev - originally from Turkmenistan
After graduating from school under the mentorship of the first Turkmen artist Byashim Nurali, Aykhan entered an art school, which was then opened in the capital of our republic. Under…

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Paul Gauguin - “the world of Tahiti”
When you get to the hall where the paintings of Gauguin hang, you find yourself in a special world of images, mysteriously flickering colors, slow rhythms. Everything here is unusual…

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Gothic
Stained glass window, fragment with architectural ornament. Colored glass, painting, lead. Germany. Late 14th century. The Gothic style is an artistic style that was the final stage in the development…

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Kanoplasta from Tanagra
The Greek words "tanagra", "tanagryanka" about a hundred years ago entered the Russian language. They are now used to denote everything fragile, feminine and plastic. The artist V. Serov invented…

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