James Whistler: “I am an artist and“ born ”in Petersburg”
James Whistler, an Anglo-American artist, was born July 11, 1834 in Lowell, the industrial city of the United States. Staying in Russia largely affected the formation of his talent. Whistler…

Continue reading →

Art Evaluation Criteria
The term "art", the definition of "art" can be attributed to a variety of objects - from prehistoric drawings on stones and ceramics to the rubble of household and industrial…

Continue reading →

Hubert Robert - "Painter of Ruins"
Antique ruins, then reflected in calm waters, then almost hidden by thickets of climbing plants, shrubs. Peaceful rural nature, almost always clear sky. Through the gaps of the trees, the…

Continue reading →

by the way

Modernism

Modernism (from the French moderne modern), the general name of the directions of art and literature of the late 19th and 20th centuries. In a broad sense, it embraces cubism, dadaism, surrealism, futurism, expressionism, abstract art, functionalism, etc. New artistic trends usually expressed themselves as art in the highest degree “modern”, hence the name itself.

At the end of the 19th century, artists, especially impressionists (impressionism), began to organize their own exhibitions, traders began to play an increasing role in popularizing their art. Continue reading

Impressionism

Renoir Pierre Auguste. The Ball in Moulin de la Galette Impressionism (Fr. Impressionisme, from impression – impression) is the artistic style in the art of the last third of the XIX – early XX centuries, which had a great influence on all subsequent art. Impressionism is a purely French phenomenon, although English landscape painters J. Constable and W. Turner are considered its predecessors. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”

The essence of Kremer’s creative tasks is to appeal to the masses. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” The path of Fritz Kremer more than once led him to the brink, the transition of which required to risk his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the light of human power and does not allow falsehood and emotion. Continue reading

Classicism
Albrecht Dürer. The four horsemen of the Apocalypse. Unlike the classics, classicism is not a qualitative, but a functional concept; it expresses a certain tendency of artistic thinking based on…

...

Antoine Bourdelle and Aristide Maillol - antiquity in the works
Antoine Bourdelle andAristide Mayol. What binds them? That they were born in the same year - 1861st? That both are French? Or that they are outstanding sculptors and are at…

...

Kanoplasta from Tanagra
The Greek words "tanagra", "tanagryanka" about a hundred years ago entered the Russian language. They are now used to denote everything fragile, feminine and plastic. The artist V. Serov invented…

...

Classicism
Albrecht Dürer. The four horsemen of the Apocalypse. Unlike the classics, classicism is not a qualitative, but a functional concept; it expresses a certain tendency of artistic thinking based on…

...