but also wisdom understandable to subsequent
Modernism (from the French moderne modern), the general name of the directions of art and literature of the late 19th and 20th centuries. In a broad sense, it embraces cubism, dadaism, surrealism, futurism, expressionism, abstract art, functionalism, etc. New artistic trends usually expressed themselves as art in the highest degree “modern”, hence the name itself.
At the end of the 19th century, artists, especially impressionists (impressionism), began to organize their own exhibitions, traders began to play an increasing role in popularizing their art. Continue reading
Pontormo Jacopo. Meeting of Mary and Elizabeth Mannerism (Italian. Manierismo – pretentiousness, mannerism from maniera – method, method) – the name conventionally denoting stylistic trends, as well as a certain stage in the development of European, mainly Italian, art of the middle and late 16th century. This stage reflected the crisis of the artistic ideals of the Italian Renaissance. The art of Mannerism as a whole is characterized by the primacy of form over content. Exquisite technique, virtuosity of manner, demonstration of skill does not correspond to the paucity of design, secondary nature and imitation of ideas. In Mannerism there is fatigue of style, the exhaustion of its vital sources. Continue reading
Cubism – (French. Cubisme, from cube – cyb) directed in the first century of the XX century. The plastic language of kibism is based on the deflection and decomposition of the subjects on the geometry, the plastic shift of the form.
Many Russian artists passed through the Kibism, often joining his principles with the help of other modern dispatches. Continue reading