Monthly Archives: May 2019
Pontormo Jacopo. Meeting of Mary and Elizabeth Mannerism (Italian. Manierismo – pretentiousness, mannerism from maniera – method, method) – the name conventionally denoting stylistic trends, as well as a certain stage in the development of European, mainly Italian, art of the middle and late 16th century. This stage reflected the crisis of the artistic ideals of the Italian Renaissance. The art of Mannerism as a whole is characterized by the primacy of form over content. Exquisite technique, virtuosity of manner, demonstration of skill does not correspond to the paucity of design, secondary nature and imitation of ideas. In Mannerism there is fatigue of style, the exhaustion of its vital sources. Continue reading
Cubism – (French. Cubisme, from cube – cyb) directed in the first century of the XX century. The plastic language of kibism is based on the deflection and decomposition of the subjects on the geometry, the plastic shift of the form.
Many Russian artists passed through the Kibism, often joining his principles with the help of other modern dispatches. Continue reading
Albrecht Dürer. The four horsemen of the Apocalypse. Unlike the classics, classicism is not a qualitative, but a functional concept; it expresses a certain tendency of artistic thinking based on the desire for simplicity, clarity, rationality, and the consistency of the artistic image.
Classicism is turned to the future, not to the past, and this is its artistic and historical meaning. The basis of the classical worldview is a specific understanding of beauty, the belief that beauty is eternal. Continue reading