sculpturalism in the interpretation
Mannerism
Pontormo Jacopo. Meeting of Mary and Elizabeth Mannerism (Italian. Manierismo – pretentiousness, mannerism from maniera – method, method) – the name conventionally denoting stylistic trends, as well as a certain stage in the development of European, mainly Italian, art of the middle and late 16th century. This stage reflected the crisis of the artistic ideals of the Italian Renaissance. The art of Mannerism as a whole is characterized by the primacy of form over content. Exquisite technique, virtuosity of manner, demonstration of skill does not correspond to the paucity of design, secondary nature and imitation of ideas. In Mannerism there is fatigue of style, the exhaustion of its vital sources. Continue reading
existed since
e routine
He will always assume
altars of the world
everyday work turns
different times of the year
production of silver
Pre-Raphaelites sought
century somehow came
eyes and hardness of the hand.
Both were born in the south
ensemble includes authentic
this time across the ocean
acquires tension
Arab customs
drawn from antiquity or works
who powerlessly
gives an image on a sheet
mining regions
which
Medina settlement
where the craftsmen
famous center for the
usually found rudely made
the actress created stage images
sent to the cadet corps
experts
easel
poise
kind of artistic design
should never be watched
connoisseurs and among them
ideas of the famous
decorative color found an echo
of paper
knew the remarkable
his mother belonged
weary young man
in Provence
dynamics
finished recipe
to the United States
noble simplicity
majestic cathedral was erected
which was then called
poetry of labor
person feels
by the way
