decorative color found an echo
Classicism
Albrecht Dürer. The four horsemen of the Apocalypse. Unlike the classics, classicism is not a qualitative, but a functional concept; it expresses a certain tendency of artistic thinking based on the desire for simplicity, clarity, rationality, and the consistency of the artistic image.
Classicism is turned to the future, not to the past, and this is its artistic and historical meaning. The basis of the classical worldview is a specific understanding of beauty, the belief that beauty is eternal. Continue reading
Impressionism
Renoir Pierre Auguste. The Ball in Moulin de la Galette Impressionism (Fr. Impressionisme, from impression – impression) is the artistic style in the art of the last third of the XIX – early XX centuries, which had a great influence on all subsequent art. Impressionism is a purely French phenomenon, although English landscape painters J. Constable and W. Turner are considered its predecessors. Continue reading
Baroque
Baroque – (Portuguese. Baroco – freaky, bad, wrong, spoiled). The term “baroque” has many meanings in the history of art. Among them are narrower, to indicate artistic styles in the art of various countries of the XVII-XVIII centuries, or broader ones – to define the ever-renewing tendencies of restless, romantic attitudes, thinking in expressive, dynamic forms, or generally as a poetic metaphor: “Baroque man” , “Baroque”, “Baroque world”, “Baroque life”. Finally, in every time, almost every historical art style finds its “baroque period”. Continue reading
