but also wisdom understandable to subsequent
Classicism
Albrecht Dürer. The four horsemen of the Apocalypse. Unlike the classics, classicism is not a qualitative, but a functional concept; it expresses a certain tendency of artistic thinking based on the desire for simplicity, clarity, rationality, and the consistency of the artistic image.
Classicism is turned to the future, not to the past, and this is its artistic and historical meaning. The basis of the classical worldview is a specific understanding of beauty, the belief that beauty is eternal. Continue reading
Impressionism
Renoir Pierre Auguste. The Ball in Moulin de la Galette Impressionism (Fr. Impressionisme, from impression – impression) is the artistic style in the art of the last third of the XIX – early XX centuries, which had a great influence on all subsequent art. Impressionism is a purely French phenomenon, although English landscape painters J. Constable and W. Turner are considered its predecessors. Continue reading
Gothic
Stained glass window, fragment with architectural ornament. Colored glass, painting, lead. Germany. Late 14th century. The Gothic style is an artistic style that was the final stage in the development of the Middle Ages of art of the countries of Western, Central and partially Eastern Europe (between the mid 12th and 16th centuries). The term “Gothic” was introduced into the Renaissance as a derogatory designation of all medieval art, which was considered “barbaric”. From the beginning of the 19th century, when the term Romanesque was adopted for art, the chronological framework of the Gothic style was limited, it marked the early, mature (high) and late phases. Continue reading
